Silence is golden

We enjoyed this video tribute to the silent era, and thought we’d share it with you.

The person behind it, Alejandra Espasande Bouza, is an independent filmmaker based in Los Angeles. She holds a B.A. from the USC School of Cinematic Arts and a M.A. in Moving Image Archive Studies from UCLA. and here’s what she has to say about the project:

This video is a tribute to the forgotten pioneer Hollywood cinematographers who captured the moving images of the silent film era. In turn, these images serve as a reminder of the intrinsic beauty and charm of silent cinema, and the importance of its preservation. To that end, and in the tradition of this historic film period, no narration is employed. Apart from film stars of the time, the video showcases scenes that represent main themes of this film period: slapstick, adventure, horror and romance.

Sit back and enjoy the beauty of these moving images edited to the rhythm of Antonio Vivaldi.

Featured actors include: Gloria Swanson, Rudolph Valentino, Greta Garbo, Clara Bow, Charlie Chaplin, Douglas Fairbanks, William S. Hart, Ben Turpin, Harry Langdon, Buster Keaton, Harry Gribbon, Harold Lloyd, Mary Philbin, Lon Chaney and Roscoe Arbuckle.

If you enjoyed this, cast your vote for Ms. Bouza’s work in the MishMash Getty Images Music/Video/Remix competition.

You say Joe-buy-na; I say Joe-bean-a

Ever wonder how to pronounce Jobyna Ralston‘s name?

So did we!

Well, now we all know.

Happy birthday, JFK!

Today marks the 116th anniversary of the birth of the great Joseph Frank “Buster” Keaton.

Keaton’s by far our favorite silent comic filmmaker (though we’re fond of Harold Lloyd, too), and we do believe Ms. Cladrite feels the same way.

While enjoying a sojourn in Southern California some years ago, we picked up a book called Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton by John Bengston, which is filled with then-and-now shots of the filming locations used in Buster’s pictures.

Sadly, we didn’t have much time left in LA by the time we tracked down the book, but we did manage to make one pilgrimage, and I was tickled pink to do so.

Perhaps my favorite single moment in any Keaton movie occurs in Cops, a silent short from 1922. In it, Buster’s being chased by dozens, if not hundreds, of policemen, and at one point, he pauses in the middle of the street, seemingly trapped with no way of escape, and, as a car motors by, he calmly reaches out, grab the back end of the car, and, extended horizontally, is whisked away.

It’s a magic moment, like something from a cartoon, but Keaton performed the stunt in real life, not in an animated alternate reality. (To view a short clip of the sequence, click on the image on the right.)

And Bengtson’s exhaustively researched book pinpoints the exact spot—on Cahuenga south of Hollywood Boulevard—where that sequence was filmed. And the missus, bless her heart, snapped this shot of your humble correspondent standing where Buster once stood—all the while keeping an eye out for traffic so that blissful moment was not our last one.

We ask you again, are we not a lucky so-and-so?

Unraveling a pince nez mystery

When browsing a flea market, antiques store, or the vintage corners of the internet, we love stumbling upon a product we never knew existed.

Ever heard of photo play glasses? Neither had we, until we came across the pair pictured here.

But what the heck are they, we wondered?

Our initial guess was that perhaps, in the early days of the motion picture industry, there was concern that watching movies might be bad for one’s eyes, the old “fear the new technology” gambit that’s still in play today.

This concern might have been sincere (if misguided) or ginned up by the vendor just to move some spectacles, but it wouldn’t surprise us if it existed.

So we turned to the experts over at Nitrateville.com, an online community of cineastes, collectors, and historians that we enjoy paying a visit to now and again.

Jack Theakston, assistant manager of the Capitol Theatre, a gorgeous 1928 movie palace in Rome, N. Y., offered the suggestion that the glasses were meant not to protect the eyesight of moviegoers, but of actors. In the early days of movies, Theakston said, UV-intensive klieg lights were used to illuminate the set, and actors often suffered a condition called “klieg eyes.” He also pointed out that the patent mentioned on the carton the glasses came in was not awarded for a specific use for the glasses, but for their design.

It’s an interesting notion, that a product might be created for actors to wear between takes and when they were relaxing on the set, and we certainly weren’t in position to discount the idea altogether, but we continued to harbor a sneaking suspicion that this was a product meant for the general public, not for such a niche market. We can’t prove it; it’s just a hunch. But as Mr. Theakston pointed out, Albex, the manufacturer of the glasses, dealt in industrial glasses, such as welder’s goggles, and there are contemporary accounts from the time of actors wearing sunglasses on the set to protect their eyes.

So it’s hard to say for certain.

Mike Gebert, one of the admins at Nitrateville, questioned whether the name “Photo Play Glasses” would have meant very much to the average person in 1904 (the patent date printed on the box), given that movies were in a truly nascent stage then. But upon closer inspection, he guessed that ’04 was just the date of the design patent, that the glasses themselves dated from the 1910s or even the ’20s.

His reasoning? The font on the packaging is, he says, Copperplate Gothic, which was designed in 1901. Given that fonts tend to take a while to come into popular use, he felt confident that glasses were marketed later, at which point motion pictures—photo plays, if you will—were certainly popular enough to inspire the marketing of such products.

Which kind of supports our theory, seems to us.

However, a poster from Australia named Brooksie did a little digging and learned that concern over kleig eyes was at its peak in the mid-to-late 1910s and came across suggestions that it was actors wearing shades, to use the modern vernacular, to protect their eyes from the bright lights on set that made sunglasses popular in the first place.

Which sort of leads us back to the idea that these were an industrial product, one meant for people working at making movies and not for the general public. The fear that watching movies could hurt one’s eyes may never have existed at all, except in our imagination. In any case, we’ve not turned up any solid evidence of it.

And we might well ask ourselves why we’re resisting the notion that it was actors and other filmmakers who wore Albex’s Photo Play Glasses, anyway. After all, if that’s the case, while we can’t know who owned the pair that came into our possession, we can have a good deal of fun imagining who might have possessed them. Perhaps they were once the property of Mary Pickford, John Barrymore, or even—be still, our hearts—Buster Keaton. They were all acting in movies by the 1910s, with Keaton the last of the three to the Hollywood party in 1917.

We’ll keep digging to see what we can come up with on this cinematic curio, but for now, perhaps we will allows ourselves to imagine that we now possess an item once owned by one of the giants of silent cinema.

Who can say we’re wrong, after all?

Clap hands, here comes Charlie

Usually, when we have occasion to recommend a film festival or other vintage event, the proceedings are taking place in New York City, the home of Cladrite Headquarters, but our recommendation for this Friday and Saturday is directed at those in Southern California.

We’re not the biggest of Charlie Chaplin fans—among the great silent-movie comedians, Buster Keaton stands above all others in our estimation, with Harold Lloyd coming in second. But we’ve enjoyed our share of laughs over the years, courtesy of the Little Tramp, and we certainly acknowledge and respect the key role he plays in cinematic history.

So it’s with pleasure that we inform you that, this weekend, the Santa Clarita Valley Historical Society, the William S. Hart Park and Museum, the Natural History Museum of Los Angeles County, and the Los Angeles County Department of Parks & Recreation are commemmorating the 75th anniversary of Modern Times, the picture that some say marked the end of the silent era, with a two-day celebration dubbed ChaplinFest.

The Santa Clarita Valley is a fitting site for this event, becuase it was there, on the Sierra Highway near Vasquez Rocks, that Chaplin filmed Modern Times‘ final scene. If you’ve seen the movie, you’ll recall it—the Little Tramp walks off into the distance with Paulette Goddard on his arm.

Chaplin also filmed a scene for The Pilgrim (1923) at the nearby Saugus Train Station, which has been preserved and moved to Heritage Junction park.

ChaplinFest boasts a number of intriguing events over its two days: A screening of Robert Downey Jr.’s biopic Chaplin; a ceremony dedicating a Chaplin monument at William S. Hart Park, with special guests Tippi Hedren and Leonard Maltin; screenings of Modern Times accompanied by artifacts from the movie, including Chaplin’s “Little Tramp” overalls; a book signing withJohn Bengtson, author of Silent Traces: Discovering Early Hollywood Through the Films of Charlie Chaplin; a screening of The Pilgrim at the Heritage Junction Train Station; A rare screening of the recently discovered Keystone comedy A Thief Catcher, with Chaplin as a Keystone Cop, and much more.

If we were within striking distance of Santa Clarita, you can bet we’d be in attendance at ChaplinFest this weekend. Since we’re not, we hope some of our SoCal readers will make it—and perhaps they’ll even send us photos of the event.