Happy 113th Birthday, Joan Crawford!
The intrepid Joan Crawford was born Lucille Fay LeSueur 113 years ago (or thereabouts, there’s some debate about the correct year) today in San Antonio, Texas. Here are 10 JC Did-You-Knows:
- Crawford’s parents separated when she was very young and by her teens, she’d had three different stepfathers.
- After working a number of menial jobs as a young women, Crawford began to take advantage of her skills as a dancer, winning a number of dance competitions and earning a living as a hoofer first in the Midwest and later on the East Coast.
- Crawford moved to Hollywood in her mid-twenties, making her movie debut in a bit part as a showgirl in Pretty Ladies (1925). After several minor roles in pictures, she was awarded her breakout role, the part of Diana Medford in Our Dancing Daughters (1928).
- Crawford handled with transition from silent pictures to talkies with relative ease, as her first talking picture, Untamed (1929), was a hit.
- Soon, Crawford was one of MGM’s biggest stars, and she remained such for more than a decade. By the early ’40s, though, her standing at MGM was in decline. She decided to cut her losses and make a fresh start at Warner Brothers, where her stellar portrayal of the title character in Mildred Pierce (1945), the noirish-thriller based on the James M. Cain novel of the same same, revived her career in a big way, as well earning her the only Best Actress Oscar of her career.
- The 1950s saw Crawford’s career on the wane. Though she made a number of pictures in that decade, they tended to have the sort of campy quality that is today associated with her, if perhaps unfairly so.
- By the 1960s, Crawford was reduced largely to parts in low budget horror films, such as What Ever Happened to Baby Jane? (1962), Strait-Jacket (1964), and Berserk (1967). She also appeared on various television programs, among them the soap opera The Secret Storm, The Lucy Show, and Rod Serling‘s Twilight Zone followup, Night Gallery.
- Though she was always an imposing on-screen presence, Crawford stood just 5′ 3″.
- Crawford was married four times; each union lasted less than five years (though, to be fair, her fourth husband passed away). Each time she remarried, she changed the name of her Brentwood estate and replaced all the toilet seats in the house.
- Crawford made a practice of responding personally to all of her fan mail.
Happy birthday, Joan Crawford, wherever you may be!
Happy 130th Birthday, Chico Marx!
- Chico’s father, Samuel Marx, emigrated to the U.S. from Alsace-Loraine; his mother, Minnie Schönberg, came over from Germany. Sam, known as Frenchie, was, according to his famous sons, NYC’s worst tailor.
- Chico was the eldest of the brothers who would go on to become world famous, but he was not the first-born of Minnie and Sam’s offspring. Their first child, a son named Manfred, died as an infant.
- Of Jewish heritage, Chico honed his Italian accent as a youth, navigating the Upper East Side’s rough-and-tough Yorkville, a neighborhood where the predominant ethnicity changed from block to block, making it advisable to be able to pass when confronted with unfriendly locals.
- For most of his life, Chico had two interests: women and gambling. As a youth, he had already become such a gambler that none of the family’s possessions were safe from the pawnshop. Frenchie frequently had to pay for the privilege of retrieving his tailor’s shears.
- Chico Marx experienced much more success as a womanizer than a gambler. Though his gambling habit left him short of money most of his life, his charming (and persistent) personality paid off royally in the area of female companionship.
- Chico was not only the eldest surviving Marx brother, he was also Minnie’s favorite. She doted on him, even paying for him to take piano lessons when money was very tight. Her investment paid off as early as his adolescence, when he was paid to tickle the ivories at silent movie theatres and in bordellos (when Chico would skip out on these gigs, his younger brother Arthur (later Harpo), who closely resembled Leonard when they were young, would often take them over, though his pianistic abilities fell well short of his older brother’s).
- Chico was the last of the four elder Marxes to join the family act; Herbert (later Zeppo), born in 1912, was much younger). Chico held a number of jobs as young man, including a song plugger gig in Philadelphia that he left to team with a singer named Aaron Gordon. They formed a vaudeville act called Marx and Gordon.
- The nickname Chico is properly spelled (and pronounced) Chicko. In May 1914, during the brothers’ vaudeville years, a monologist named Art Fisher gave them their nicknames during a backstage poker game. He was inspired to dub Leonard “Chicko” because of his penchant for chasing girls—often called “chickens” or “chicks” in those days. The brothers wouldn’t use their nicknames professionally until some years later, but after they started doing so, a typesetter omitted the K when spelling Chico’s name in a theatre program, and Chico continued to use that spelling thereafter.
- In January 1942, with the Marxes’ film career not yet over but definitely winding down and with Chico, as always, in need of money, he partnered with Ben Pollack to form a touring big band. The outfit was successful but short-lived—it broke up in July 1943, but not before having released four recordings on a pair of 78s. The band can be heard in action in a 1942 appearance on the radio program The Fitch Bandwagon. Jazz crooner Mel Torme spent time with the orchestra, serving as drummer and vocalist.
- Chico’s daughter, Maxine, did a little bit of film acting in the 1930s and went on to be a successful casting director. In 1980, she wrote an affectionate but honest memoir of life with her father entitled Growing Up with Chico.
Happy birthday, Chico Marx, wherever you may be!
Happy 100th Birthday, Dame Vera Lynn!
The wonderful Dame Vera Lynn was born Vera Margaret Welch in East Ham, Essex, 100 years ago today! Here are 10 VL Did-You-Knows:
- On March 17, 2017, Lynn celebrated her centenarian status by releasing a new album, Vera Lynn 100, breaking the record she set at age 97 to remain the oldest person to ever release a new album.
The album comprises some of her most beloved hits with her original vocals set to new re-orchestrations, with the addition of vocals from a number of contemporary British performers.
- On March 18, a charity concert at the London Palladium featuring some of Britain’s best contemporary talent paid tribute Dame Vera and her remarkable life and career. Queen Elizabeth was in attendance.
- Lynn was performing for audiences by the tender age of seven (which means she’s been in show business more than 90 years) and by 11 had taken a stage name, Margaret Lynn (she later returned to her given first name, Vera).
- She first performed on the radio, with the popular Joe Loss Orchestra, in 1935, and in 1936 released her first solo recording, Up the Wooden Hill to Bedfordshire.
- Lynn is best remembered today for her moving renditions of sentimental wartime favorites, such as The White Cliffs of Dover, A Nightingale Sang in Berkeley Square, There’ll Always Be an England, and her signature song, We’ll Meet Again. She further supported the war effort by hosting her own radio program, Sincerely Yours, on which she performed songs that were requested by soldiers and sailors. She also visited hospitals to meet with new mothers so that she could send their husbands who were serving overseas messages of love and support.
- Known during the war years as “the Forces’ Sweetheart,” Lynn performed for the troops in such remote and often dangerous locales as Egypt, India and Burma. For her tireless and courageous efforts, she was awarded the British War Medal and the Burma Star.
- After the war, she continued to record, topping the American charts (she was the first British performer to accomplish that feat) in 1952 with her recording of Auf Wiederseh’n Sweetheart. She was also a regular for some years on Tallulah Bankhead‘s American radio program, The Big Show.
- In the late 1960s and early ’70s, Lynn hosted her own variety television series on BBC1 and guested on a wide range of other TV programs.
- In all, Lynn placed 16 singles on the charts (UK, US or both) between 1948 and 1967. After the war, she continued to work for many worthy causes, including assisting ex-servicemen, disabled children, and breast cancer charities.
- In 1969, she was appointed Officer of the Order of the British Empire (OBE) “for services to the Royal Air Forces Association and other charities.” In 1975, she was advanced to Dame Commander of the Order of the British Empire (DBE). At age 85, Lynn founded the Dame Vera Lynn Children’s Charity, which provides support and education for families affected by cerebral palsy.
- In 2000, Lynn received the Spirit of the 20th Century Award as the Briton who best exemplified the spirit of the 20th century.
Happy birthday, Dame Vera Lynn, and many happy returns of the day!
We’re featuring the music of Dame Vera on Cladrite Radio all day long today and well into the evening, so be sure to tune in!
This story originally appeared in a slightly different form at guideposts.org.
Happy 98th Birthday, Nat “King” Cole!
Nat “King” Cole was born Nathaniel Adams Coles 98 years ago today in Montgomery, Alabama. One of the true giants of American music, Cole, as well-regarded as he still is, does not, in our opinion, get sufficient credit for his talents, accomplishments and contributions. Here are 10 NKC Did-You-Knows:
- Cole was the second of five children born to Edward and Perlina Coles. The family moved to Chicago when Cole was four, where his father entered the ministry. Cole’s mother was a church organist who gave young Nat his first keyboard instruction. He began to take formal lessons at 12 and learned to play pop, jazz and even classical music.
- Cole attended Wendel Phillips High School, where gospel and R&B legend Sam Cooke also attended some years later. Cole began performing professionally as a teenager, dropping the S from Coles and shortening his first name to Nat. His older brother, Eddie, a bass player, was a member of Cole’s first band.
- The two siblings cut their first record, under Eddie’s name (probably because Nat was still a minor), in 1936. It was during this time that Nat was given his “King” nickname, said to be a play on the Old King Cole nursery rhyme.
- Cole found his first success as part of a trio (though they weren’t yet the King Cole Trio, as they would come to be known, but the King Cole Swingsters). Radio was key to their rise in popularity, and they became a popular act in the Los Angeles area. Nat’s piano playing was his claim to fame, but he had started to add vocals to a number of the tunes in the trio’s repertoire.
- In 1943, Nat “King” Cole and the trio signed with the fledgling Capitol Records, and their success financed the company’s growth. To this day, the round structure that is the company’s headquarters, built in Hollywood in 1956, is referred to as “the house that Nat built.”
- That same year, Cole notched his first mainstream vocal hit with Straighten Up and Fly Right, one of his own compositions. The song based on an African-American folk tale that his father had used in his sermons.
- In 1944, Cole became a Freemason, joining Southern California’s Thomas Waller Lodge No. 49, which was named in honor of jazz legend “Fats” Waller.
- Cole’s popularity in the 1950s was unprecedented for an African-American performer. In that decade, though it’s not well remembered today, Cole’s records outsold Frank Sinatra‘s by a wide margin. Cole even recorded a trio of albums in Spanish (phonetic only—he didn’t hablan español). His Spanish was reportedly pretty bad, but many Spanish-speaking listeners found his clumsy efforts charming and his popularity only increased.
- Cole became so popular that on November 5, 1956, he began hosting his own television show, The Nat “King” Cole Show,” on NBC; he was the first African-American artist to host such a show. The show did fine in the ratings, but no sponsor for the program was ever found, a must in those days. Just over a year after it hit the airwaves, Cole pulled the plug on the show. The strain of operating a show without a sponsor’s backing was too much. After the show’s demise, Cole was quoted as having quipped, with a mix of good humor and bitterness, “Madison Avenue is afraid of the dark.”
- In 1964, Nat “King” Cole began to experience fatigue and back pain until finally, some time after collapsing during a show at the Sands Hotel and Casino in Las Vegas, he was convinced to consult with a doctor while performing in San Francisco. He was diagnosed with lung cancer and given just a few months to live, but he kept working, recording his final sessions in early December. He died, aged 45, in Los Angeles on February 15, 1965, less than three months after his diagnosis. The severity of his condition had been largely hidden from the public, so the news of his passing proved a shock to his fans across the country and around the world. It’s painful to think of all the wonderful music he could have created had he lived as long as some of contemporaries, like Sinatra and Tony Bennett.
Happy birthday, Nat “King” Cole, wherever you may be!
Happy 115th Birthday, Louise Beavers!
The delightful Louise Beavers was born 115 years ago today in Cincinnati, Ohio. Beavers made the very most of the extremely limited opportunities Hollywood offered African American performers in her time, but we can’t help but mourn for what might have been, for Beavers and for so many other black actresses and actors. Here are 10 LB Did-You-Knows:
- Beavers’ father, a school teacher, moved the family to Pasadena, California, when Louise was 11 years ago. While Beavers attended Pasadena High School, her mother, a voice teacher, trained her daughter for the concert stage, but Beavers instead joined an all-female minstrel company called “Lady Minstrels” and spent time in vaudeville. She also worked as a dressing room attendant for a photographer, a nurse, and as a personal maid to silent film star Leatrice Joy.
- A Central Casting Bureau talent scout named Charles Butler saw Beavers perform and urged her to try for a movie role. Beavers was hesitant due to the typically derogatory portrayal of African Americans in pictures at the time, but she was finally persuaded and won a role in Uncle Tom’s Cabin (1927).
- Though Beavers broke into movies near the end of the silent era, she smoothly made the transition into talkies, making more than 75 film appearances by 1935—she appeared in twenty pictures in 1933 alone! Though Beavers’ roles were (sadly) limited to the sort of maid, mammy and slave characters that black actresses were restricted to in those days, she brought a sense of wisdom, warmth and gentleness to them that allowed her to rise above their inherently cardboard, stereotypical nature.
- In 1934, Beavers was given a breakout role in Imitation of Life opposite Claudette Colbert. In that film, she plays Delilah Johnson, a single mother who agrees to serve as a housekeeper for a white widow named Bea Pullman (Colbert) in exchange for room and board for her and her daughter. Delilah and Bea team to open a pancake recipe (using Delilah’s secret recipe) and together become very wealthy, though their respective relationships with their daughters become strained. Beavers was billed fourth for the film, but anyone who’s seen the picture knows that she deserved equal billing with Ms. Colbert, not only for the size and importance of her role but for the memorable and moving performance she delivered.
- After that moment in the spotlight, though, Beavers returned to playing the secondary characters she’d always played, bringing humanity to them but leaving us 21st century movie buffs bemoaning what might have been if had Beavers been allowed to build on her wonderful work in Imitation of Life.
- Beavers was just a year older than Fredi Washington, who played her daughter in Imitation of Life.
- Like other black performers of the day, Beavers sometimes came in for criticism from the African-American community for accepting the kind of derogatory roles Hollywood offered. She defended herself and performers like her, saying, “I am only playing the parts. I don’t live them,” but as she became more successful and better known, she began to speak out more about Hollywood’s poor treatment of black performers.
- Even after finding success in movies, Beavers continued to work in live theatre, taking part in annual tours of twenty weeks’ duration.
- Beavers was the third of three actresses to portray Beulah Brown on the comedic television program The Beulah Show, which began as a radio show before moving to TV. Ethel Waters originated the role on television, followed by Hattie McDaniel, whose health forced her to drop out after just six episodes, at which point Beavers came in as her replacement. The show came in for criticism for its stereotypical characters, but it was the first sitcom to star an African-American performer.
- Among the more than 150 features and shorts in which Beavers appeared are Our Blushing Brides (1930), What Price Hollywood? (1932), 42nd Street (1933), The Story of Temple Drake (1933), Bombshell (1933), Make Way for Tomorrow (1937), Made for Each Other (1939), Mr. Blandings Builds His Dream House (1948) and The Jackie Robinson Story (1950).
Happy birthday, Louise Beavers, wherever you may be!
You think that money is everything
And yet it’s anybody’s spring.
Go make a fortune, become a king
And still it’s anybody’s spring.
And if you flash a bank roll
Do you suppose the brook would care?
Or that a rose would say
“There goes a millionaire!”
It’s more than diamonds around a ring
Because it’s anybody’s spring.
You may be born with the silver spoon
And yet it’s anybody’s moon
You couldn’t buy a ticket
To hear the first robin sing
It’s free because
It’s anybody’s spring.
Music by James Van Heusen, lyrics by Johnny Burke, 1944