All in the Family

We received a nice response to last week’s post devoted to one of our favorite goofy old songs, “‘Way Back Home,” by Tom Waring and Al Lewis.

So much so that we thought we’d share with you an alternate set of lyrics by our own Ms. Cladrite.

Where Lewis celebrated the joys of growing up in a rural (or, at least, small-town) setting, the lyrics composed by our missus commemorate a big city (specifically New York City) upbringing.

‘Way Back Home

The streets are the grimiest; the Times is the timesiest;
The mimes are the mimiest; the English, the blimiest;
The subways, slimiest; the raps, the rhymiest,
‘Way back home!

Museums, the mustiest; the pizzas, the crustiest;
Ninth Avenue’s the gustiest; the courts are the justiest;
The governors, the lustiest; drag queens, the bustiest,
‘Way back home!

Don’t know why I left Manhattan, I really must confess.
I’m just a weary exile, singing my song of loneliness.

The bums are the craziest; the beef is the braisiest;
The books are the phrasiest; the corn is the maiziest;
The teens, malaiziest; the cops, the taziest,
‘Way back home!

The coffee’s the perkiest; the muggers, the lurkiest;
The sewers, the murkiest; the neighbors, the quirkiest;
Yanks fans, the jerkiest; pickles, the gherkiest;
‘Way back home!

The trees are the rootiest; the orchestra, the flutiest;
The puppies, the cutiest; Chelsea is the fruitiest;
The wives, the shrewiest; bar TVs, the mutiest,
‘Way back home!

Don’t know why I left Manhattan, I really must confess.
I’m just a weary exile, singing my song of loneliness.

The nuts are the saltiest; the beer is the maltiest;
Criminals the faultiest; the roaches, the crawliest;
The Mets, baseballiest; Apartments, smalliest,
‘Way back home!

Nice work, we think you’ll agree, by Ms. Cladrite, who is not only kind, generous and intelligent (not to mention easy on the eyes), but pretty darned clever, to boot. Ain’t we lucky, though?

You’ve Got to Have a Gimmick

Sometimes, no matter how silly an idea is, you just have to go for it. Sell it like you mean it, brother, and there’s no telling how far your idea might go.

We were recently musing on how committing to a concept can pay off as we listened to a song we’re fond of, though we can’t deny it’s sheer fluff.

“‘Way Back Home” was written in 1935—the corny but infectious lyrics are by Al Lewis (not the actor who played Grandpa on The Munsters, but he did write the lyrics for “Blueberry Hill”) and music by Tom Waring, Fred‘s brother—and though it uses the same lyrical idea over and over and over, it is one catchy ditty.

You may not think so at first listen, but believe us, the gimmick grows on you.

To prove it, we’re offering five versions of the song. Listen to them all, and believe us, you’ll be hooked but good.

We start you off with a recording by Irving Aaronson and His Commanders, featuring Skippy Carlstrom on vocals. This one’s nice and bouncy and relatively straightforward.

Next up are the Boswell Sisters, and they were never straightforward, but they did include the intro verses in their version of the song.

Ambrose and His Orchestra, with Jack Cooper on vocals, recorded the third among the renditions we’re sharing with you, followed by the Decca All-Star Revue, which is a two-sided recording featuring the Victor Young Orchestra, with Bob Crosby, Ella Logan, Johnny ‘Scat’ Davis, Cleo Brown, and the Tune Twisters taking turns on vocals.

The final recording is the Victor Young Orchestra again, this time with Milton Watson on vocals.

Which one’s your favorite?

Irving Aaronson and His Commanders—‘Way Back Home

The Boswell Sisters—‘Way Back Home

Ambrose and His Orchestra—‘Way Back Home

The Decca All-Star Revue—‘Way Back Home

Victor Young and His Orchestra—‘Way Back Home

* * * * *

‘Way Back Home

Intro:
I wrote a little song, a homesick little song,
About a place I never should have roamed from;
Skies are just a little brighter there,
Hearts are just a little lighter there.

A wanderer am I, beneath a foreign sky,
A lonely soul among a world of strangers;
From the pages of my memory,
I can hear a voice reminding me.

The roads are the dustiest; the winds are the gustiest;
The gates are the rustiest; the pies are the crustiest;
The songs, the lustiest; the friends, the trustiest,
‘Way back home!

The trees are the sappiest; the days are the nappiest;
The dogs are the yappiest; the kids are the scrappiest;
The jokes, the snappiest; the folks, the happiest,
‘Way back home!

Don’t know why I left the homestead, I really must confess.
I’m just a weary exile, singing my song of loneliness.

The grass is the springiest; the bees are the stingiest;
The birds are the wingiest; the bells are the ringiest;
The hearts, the singiest; the arms, the clingiest,
‘Way back home!

The sun is the blaziest; the fields are the daisiest;
The cows are the graziest; the help is the laziest;
The boys, the wittiest; the girls, the prettiest;
‘Way back home!

The pigs are the snootiest; the owls are the hootiest;
The plants are the fruitest; the stars are the shooiest;
The grins, the funniest; the smiles, the sunniest,
‘Way back home!

Don’t know why I left the homestead, I really must confess.
I’m just a weary exile, singing my song of loneliness.

The food is the spreadiest; the wine is the headiest;
The pals are the readiest; the gals are the steadiest;
The love, the liveliest; the life, the loveliest,
‘Way back home!

Sweet nothings, tenderly crooned

Though the greatest pleasure we take from the wonderful music we share with you on Cladrite Radio stems from the memorable melodies and toe-tapping rhythms, we also revel in the romantic imagery and well-turned phrases found in the lyrics of the day.

The lyrics Samuel M. Lewis wrote to accompany Abel Baer’s lovely melody in their 1934 song “Am I to Blame?” recently gave us reason to smile. They’re pleasing on the page, but when sung, they really come to life.

Am I to Blame?
Am I to blame for worshipping you
After so many goodbyes?
If I’m to blame for worshipping you,
Why was I born with two eyes?

Am I to blame for clinging to you,
Begging to share all your charms?
If I’m to blame for clinging to you,
Why was I born with two arms?

Sighing, sighing brings regret;
Every day is like the day before.
Trying, trying to forget
Only makes me want you more.

So am I to blame for loving you, dear?
I’m only playing my part.
If I’m to blame for loving you, dear,
Why was I born with a heart?

Lyrics by Sam M. Lewis/music by Abel Baer

“Am I to Blame?” was recorded by artists such as Ruth Etting, Greta Keller, and Victor Young and His Orchestra, but we’re offering Hal Kemp and His Orchestra‘s take on the song. Bob Allen handles the vocals.

Hal Kemp and His Orchestra, feat. Bob Allen—“Am I to Blame?”

As seen on TV

The internet can foster oddly serendipitous partnerships. Who’d have thought a cruise line’s ad campaign would be driving traffic to Cladrite Radio?

As regular readers and listeners may have noticed, we usually feature the lyrics to a seasonally appropriate song at the bottom of each page of our site. We generally try to choose a lesser-known song, one with which the average visitor to the site might not be familiar.

We’ve no idea how many folks notice those lyrics, but we’re of the opinion that it’s the little things that set a site apart, and we try to provide regular visitors to Cladrite Radio little bonuses that repay their loyalty.

Currently, the lyrics at the bottom of the page, penned by Arthur Freed, are from a 1932 song called “It’s Winter Again,” for which Al Hoffman and Al Goodhart wrote the melody. It’s not a song that might be considered a standard, as it’s only been recorded by a few performers over the years—Hal Kemp, Isham Jones, and Ruth Etting, among them—but it’s a catchy little tune with pleasing lyrics. Still, you could ask 100 people on the street if they’d ever heard it, and chances are, you’d get 100 negative responses.

But Royal Caribbean, the cruise line, is currently running a television commercial featuring the Hal Kemp recording of the song (with Skinnay Ennis handling the vocals), and people are turning to the internet to do a search on the lyrics.

Which brings many of them here to Cladrite Radio.

Funny how that happens, no? We feature the lyrics of an obscure ode to wintertime romance, and it ends up increasing traffic to our site.

So welcome to all you Googlers and Bingers who have found your way here. We hope you pay us the occasional return visit.

And just to show you how welcome you are, we’re sharing both the Hal Kemp and Isham Jones recordings of “It’s Winter Again” for your listening pleasure (that’s Frank Sylvano on the vocals on the Jones recording).

Hal Kemp and His Orchestra, feat. Skinnay Ennis—“It’s Winter Again”

Isham Jones and His Orchestra, feat. Frank Sylvano—“It’s Winter Again”

The Winding Path to a Merry Little Christmas

Our favorite Christmas song has long been Mel Tormé and Bob Wells’ The Christmas Song, made famous by Nat “King” Cole (and really, no one else need tackle the song—every other artist who’s taken a stab at it has fallen short, in our eyes), but coming in a close second is Have Yourself a Merry Little Christmas, credited to Hugh Martin and Ralph Blane (though Martin has since claimed he wrote it alone, with Blane’s encouragement) and introduced by Judy Garland in Vincent Minnelli‘s Meet Me in St. Louis (1944).

Sheet music--Have Yourself a Merry Little ChristmasFrom its familiar opening lyrics—Chestnuts roasting on an open fire, Jack Frost nipping at your nose, yuletide carols being sung by a choir, and folks dressed up like EskimosThe Christmas Song celebrates an idyllic holiday season, but let’s face it, for many, the holidays carry with them a tinge of melancholy—especially in difficult times like these—and Have Yourself a Merry Little Christmas openly acknowledges the bluer side of the yuletide.

In the lyrics as we know them, that melancholy is leavened by a certain “keep-your-chin-up sticktuitiveness,” but it wasn’t always so.

The first set of lyrics Martin delivered, which we found in this very informative 2007 Entertainment Weekly story by Chris Willman, were downright maudlin, intended to fit the mood of Garland’s character, who, at the point in the picture at which she sings the song, is upset that her father is moving the family from her beloved St. Louis to New York City.

The story has it that director Minnelli and Garland urged Martin to come up with something just a bit less gloomy, and he agreed, soon delivering a second set of lyrics, the ones Garland sings to her younger sister (Margaret O’Brien) in the movie.

Then, in 1957, Frank Sinatra, who was recording a Christmas album called A Jolly Christmas, asked Martin to kick the Christmas cheer up yet another notch, asking the composer to revisit the line in the final verse about “muddling through,” and that’s how we came to have the line about hanging a shining star upon the highest bough in yet a third set of lyrics to the song.

Most folks are familiar with versions two and three—Linda Ronstadt melds the two sets of lyrics in her recording of the song—if not with the original gloomy lyrics.

But did you know Martin wrote a fourth set of lyrics? In 2001, the composer, then 86 years old, wrote an overtly religious set of lyrics to the song, entitled Have Yourself a Blessed Little Christmas.

Listen: Judy Garland—Have Yourself a Merry Little Christmas


Listen: Frank Sinatra—Have Yourself a Merry Little Christmas