The Karen Files, pt. 13

Another in an ongoing series of posts celebrating the life of our mother:


Hi-res view

We don’t have any deep insights to offer about this week’s snapshot of Karen and Lloyd. It’s just a picture that pleases us. They’re so young, and they look so happy.

This photo probably dates from the mid-1950s (note Lloyd’s Lyle Lovett-esque hair and Karen’s brown, not blond, hair), but we don’t know any more about it.

We are tickled by the fac that that both our falks are dressed a bit flashier than usual, Mom in a casually glamorous sleeveless dress, with a noticeable sheen to it (silk? satin? Your guess is no doubt better than ours) and Dad in a loud sport shirt with a pair of cuffed trousers that we darned sure wish he’d saved and passed on to us!

(Did your parents hand down their now-vintage clothes to you? Ours surely didn’t—we suspect Karen made a regular practice of cleaning out the closets and shipping stuff off to Goodwill or the Salvation Army. Why oh why couldn’t she have been a pack rat?)

But best of all are Lloyd’s very sharp two-toned shoes, paired with impressively sheer and ribbed socks (those socks could be a bit longer, though, Dad).

Again, why weren’t those shoes saved and passed down to us? Perhaps one of our sisters would ask the same about Karen’s sharp dress.

There’s just no justice.

The Karen Files, pt. 12

Another in an ongoing series of posts celebrating the life of our mother:

In this week’s edition of The Karen Files, we’re offering contrasting photos of Mom. The first is a professionally done, nicely lit portait, taken on Karen’s wedding day. She looks lovely and happy as can be.

The other is a casual snapshot of Karen and Lloyd. We’re not sure where or when the picture was taken (the mid-late 1950s, probably, as Mom’s not yet blonde, but Dad has his crewcut), and there’s arguably not that much to recommend this photo. But we’re suckers for candid photographs of people we know and love. In a very real sense, they’re so much more accurate in capturing the person as we remember them than the most adept and skilled of professional portraits.

We like that Lloyd is tending to Karen, perhaps removing a bit of lint or a small twig caught on the fabric of her coat, as she turns her attention toward the photographer, whoever he or she is.


Hi-res view

It’s a telling detail, as Lloyd lovingly tended to Karen (and she to him) for more than 55 years, but never so much as over the final decade of her life, as Alzheimer’s slowly robbed us all of the wife and mother we loved. Lloyd cared for Karen almost singlehandly until the very end—Karen spent only a few short months in fulltime care when her condition worsened beyond the point that allowed Lloyd—or any nonprofessional—to deal with it.

Those final ten years of loving care and devotion on Lloyd’s part qualify him for sainthood in our eyes.

But it’s worth remembering—and sharing—that even this wonderful marriage that was such an inspiration to all who knew Lloyd and Karen was not without its rough patches.

We were in our twenties or thirties when Lloyd shared with us for the first time that there had been a period relatively early in their marriage when Karen wasn’t sure she’d done the right thing in settling down with Lloyd.

Dad and Mom were 25 and 21, respectively, when they married, and in those early years, Mom worked the night shift at the newspaper. We can remember her coming home in the middle of the night (or so it seemed to us at that toddler stage—it may well have only been 10 or 11 p.m.). She would slip into our bedroom and wake us gently, in order to kiss us goodnight. One might well view this practice as counterproductive, but those brief late-night encounters have long been a treasured memory for us.


Hi-res view

There was a woman who worked with Mom at the newspaper, a young divorcee who was living the high life—handsome men taking her to fancy resturants, parties, cocktails, the whole shebang—and she relished regaling the gang at the paper with (perhaps embellished) accounts of her nights on the town.

Karen, now in her mid-twenties and with two or three (it might even have been four) kids at home, began to feel that she was missing out, that the days of her youth were rapidly dwindling and she hadn’t made the most of them. She even told Lloyd that she wasn’t sure she loved him any more.

There was no separation; they spent no time apart. Lloyd and Karen went about the business of watching over us kids and putting in their time at their respective jobs, but there was suddenly a wall between them. They were in limbo, and neither could be certain how the situation might work itself out.

We can only assume that Karen spent those weeks trying to decide what sort of life she wanted, and how—and whether—a husband and children fit into it. The tension grew between Mom and Dad, though they were never prone to fight. Things finally came to a head, and Lloyd used the word “divorce” in one of their discussions. It was the last thing he wanted, but he knew they couldn’t go on as they were.

Dad taking that stand somehow snapped Mom out of her fog. Her priorities were suddenly clarified, and as Dad tells it, things were quickly back to normal. And from that day forward, for the next half-century, they remained devoted to one another.

It was a jarring tale to hear when Lloyd first shared it with us, and perhaps it’s unsettling for you, gentle reader, to encounter it here. But it’s also heartening to realize that even a marriage widely viewed as ideal wasn’t without its difficulties, its bumps in the road. But Lloyd and Karen found their way past those early obstacles (and would make their way around or over a few others still to come in the ensuing decades) to forge the strongest of bonds, one that ended only when death did part them, as that familiar nuptial phrase describes.

So while I’m very fond of that wedding portrait of Karen, it’s the candid snapshoot that really tells the tale of what was a great life partnership, not because Lloyd and Karen experienced only smooth sailing, but because they weathered their share of storms, always finding a way to see other through them safely.

The Karen Files, pt. 11

Another in an ongoing series of posts celebrating the life of our mother:

It’s kind of intriguing, as one rifles through old photos of a loved one, especially a parent, to see that person slowly but surely become the person you remember.

We’ve not presented the photos of Karen that we’ve shared with you in any chronological order, but if you go back through the previous ten editions of The Karen Files, you’ll see what we mean, even if you never met her.


Hi-res view

There’s a hint of the Mom we recall from our childhood and adolescence in this photo, though she’s not quite there yet. Perhaps, if we were to put this into anthropological terms, this photo might be called the “missing link” between Karen as a youth (she was only 21 when she got married, 22 when she gave birth to our older brother, and 25 when we came along) and her years as a settled-in (but never staid) wife and mother.

We love the red lipstick Mom’s wearing here and the casually saucy flair she’s exhibiting, with that great 1950s blouse she’s sporting and the plaid pants. (What do you want to bet they were Capri pants?)

This picture was probably taken in the late 1950s, but the precise year is uncertain. We think it must be the house our family lived in until 1964, and that’s probably my parents’ bedroom, which was in the southeast corner of the house (none of this is of even remote interest, dear reader, but we’re just stretching our memory muscles here).

Anyway, there’s a confidence in this picture that sets it apart from some of the others we’ve shown you. Mom never lost her sweet and gentle side, but she was a strong woman, too, and you can see that quality starting to show in this picture.

The Karen Files, pt. 10

Another in an ongoing series of posts celebrating the life of our mother:

We very much like this snapshot of Karen and her father, Cecil, Sr., but it carries with it a poignancy, too. (Let’s face it, when you lose a parent, every photo of them you come across is poignant, but this one is particularly so.)

We like the mood of this shot. Karen looks so happy, and her father appears at ease and content, as well. It appears to have been shot outside the home of Cecil and his wife, Frances, in Okemah, Oklahoma, and we’d guess the year to be 1950 or so, as Karen looks to us to be a bit younger than she appeared at the time of her wedding to Lloyd, in 1954.


Hi-res view

This photo is sort of a bridge between the Granddad we knew and loved dearly (we were fond of all our grandparents, but Cecil was especially dear to us) and the young man we’ve discovered for the first time recently while sorting through all the photos that Karen left behind. We wonder if Cecil was yet wearing glasses at this point in his life. Perhaps he was, but only for reading — or it could be that his vanity convinced him to leave them behind on a table inside as they stepped out to snap this shot.

It’s not hard, in this photo, to see exactly what Lloyd found attractive in Karen. Hers is an open and friendly countenance, and she appears ready to take on the world (which she certainly did). She kept a positive outlook throughout her life, and that attitude is apparent in this picture.

We also like the bobby sox.

But the photo stirs up mournful feelings as well. We’re reminded that both Cecil and Karen were afflicted with Alzheimer’s, that these two smart, dedicated, generous souls, who loved each other so and were so beloved by others, met the same sad, debilitating fate.

Both faced it with courage and a stiff upper lip, which was no surprise to anyone who knew them, but it’s sad to think they were both so reduced by the illness that they battled so hard.

Still, it’s nice to see them in better times, both looking happy and hopeful. They each had many wonderful years ahead of them at this point in time, before the tough times took over.

The Karen Files, pt. 9

Another in an ongoing series of posts celebrating the life of our mother:

Some years ago, our father underwent heart surgery. We flew down from NYC to OKC for a few days, to spend some time with Dad before the surgery and to be with him for two or three days after.

He was already in the hospital in preparation for the surgery when we arrived, so there wasn’t much to do but shoot the breeze. With the surgery just 36 hours away or so and the unaddressed but undeniable possibility hanging in the air that these might be our last conversations (they weren’t, thank heaven—he came through the surgery with flying colors), we spent a lot of time reminiscing, talking about his childhood and youth.

We were already vintage-clothing buffs by then (though we’d not yet started wearing hats, which we do with regularity now), and it occurred to us that we’d never seen Dad in a hat. Did he ever wear them? Was he excited, when he became a young man, that it meant he got to start sporting a fedora?

No, he said, he and his crowd didn’t often wear hats. He owned one or two over the years, but he’d never worn them much.


Hi-res view

But when we sorted through the boxes and boxes of family photographs upon Mom’s passing in April, we came across a pair of photos of Dad in a hat (in one, Mom’s wearing a scarf, which we have only the vaguest memories of her ever doing, and in the other, she’s wearing white gloves, which we don’t ever recall seeing).

The first one dates to the early sixties, we’re guessing—Mom’s gone blond, and they’re standing in front of the house we lived in till 1964.

We like that Dad looks like kind of hipster-y in this shot—he’s got the stingy-brimmed fedora so popular today (with a higher crown than one tends to see today, and with what looks to be a center dent on the top of the crown, with no indentations in the front of the crown—hey, hat wearers notice these things!). He’s also got the David Byrne-esque closed top button (though we’re probably dating ourselves by mentioning Byrne; his days as an arbiter of hip are probably long past).

Mom looks pretty sharp, too. Healthy and happy and vital. This photo makes us smile (and not only because it confirms that Dad did occasionally wear a fedora).


Hi-res view

The second photo’s from a few years later. Mom and Dad have had a new home built (we resided there from 1964 through 1974), and it’s kind of modern and space-age-y—an angular structure with towering wrought-iron gates that led through an entryway into a square courtyard around which the house was built. It so stood out in that surburban neighborhood that our grade school pals were convinced that we were wealthy (we were not).

In this photo, taken in the aforementioned courtyard, Dad could be wearing the same chapeau as in the earlier photo, but we suspect it’s a different one (not drastically different in style, though), and, as we mentioned above, Mom’s wearing gloves, which pleases us but also surprises us—we don’t remember her ever doing so. We suspect Mom and Dad are on their way to church (perhaps it’s Easter morning, which might explain the corsage). Here, Dad looks much more Mad Men-esque than in the previous photo, a young Don Draper (only without the philandering).

So it’s nice to know that, in wearing fedoras, we’re carrying on a minor family tradition. Ours sport a wider brim than did Dad’s, but that’s a mere detail.