The King of Jazz Returns

The musical was a popular genre in the very early days of talkies, but the moviegoing public quickly (if briefly) lost interest in singing pictures.

One movie that fell victim to that disinterest was King of Jazz (1930), a lavish musical-comedy revue that featured Paul Whiteman‘s orchestra delivering an assortment of musical numbers with comedic sketches interspersed throughout.

King of Jazz, made for Universal Pictures, was filmed entirely in an early, two-color version of Technicolor and featured actors and performers such as the Rhythm Boys (Bing Crosby, Al Rinker and Harry Barris, don’t you know), John Boles, Laura La Plante, Slim Summerville, Walter Brennan, jazz legends Joe Venuti and Eddie Lang, and the Russell Markert Dancers (who would soon become the Radio City Music Hall Rockettes).

King of Jazz was not a money-maker, and a revamped version released a few years later did no better, so it might well have fallen into obscurity and been forgotten, but over the decades, interest in the film increased. In 2013, the film was selected by the Library of Congress for preservation in the National Film Registry, and in 2018, a spectacular restoration of the film was screened in a few locations across the country and around the world.

We were present for the restoration’s premiere in New York City, and it proved to be a terribly exciting event. The buzz in the theatre was palpable and the film, which had been beautifully restored, received cheers from the packed house throughout the screening.

We’re pleased to share the exciting news that Turner Classic Movies is airing this acclaimed restoration on Monday, March 4, at 8 p.m. ET. If you listen to Cladrite Radio with any regularity, this one’s right up your alley. We’re calling it a don’t-miss.

To give you an idea what to expect, here’s a clip from the film of a performance of George Gershwin‘s Rhapsody in Blue.

Flirting with the Past

Last night we watched The Lady Objects (1938), a strange and kind of silly drama/musical (drusical?) that finds Gloria Stuart, adorable as ever, playing a hotshot lawyer whose husband (Lanny Ross), a former All-American halfback, a world-class tenor and a hopeful young architect (quite the trifecta, that), resents her success and the demands it places on her time.

A movie poster of THE LADY OBJECTS, 1938

As we said, kind of silly, but entertaining enough, since we get a special kick out of watching any picture that features Ms. Stuart. We were pleased to do a telephone interview with her some years ago when her memoir was published, and we’ll admit to being not a little proud that when we got to meet her in person a few weeks later at her book party in NYC, she flirted with us just the slightest bit. Nothing overt, nothing untoward, but in a room filled almost entirely with the young women of the publishing industry, we stood out, it seems—a young(ish—we were 41 at the time) man who was thrilled to dote on Ms. Stuart, bringing her food and drink, asking her questions about her movie career back in the 1930s and generally behaving in starstruck fashion.

So whenever we see her looking so fetching on the screen, we can’t help but think, That gorgeous movie star once flirted with us, an actress who might have once flirted with Humphrey Bogart, The Marx Brothers, James Cagney, Lee Tracy, Melvyn Douglas, Boris Karloff, Ralph Bellamy, Pat O’Brien, Eddie Cantor, John Boles, Claude Rains, Lionel Atwell, Frank Morgan, Brian Donlevy, Warner Baxter, Dick Powell, Frank McHugh, Don Ameche, Lyle Talbot, George Sanders, Walter Pidgeon, Jack Oakie, and Richard Dix. In any case, she appeared in pictures with each of them (except Bogart and the Marx Brothers, whom she knew socially).

Yes, our brief encounter with Ms. Stuart came more than a half-century after those hypothetical Hollywood flirtations—she was 89 at the time—but if she batted her eyelashes at even one-tenth of her aforementioned costars back in the day, we’d have to say we’re in pretty good company!